Jason Robert Brown’s music transports the audience from the deck of a 1492 Spanish sailing ship, to a ledge 57 stories above Fifth Avenue, to meet a startling array of characters.
In this original musical by Miles Burns and Hannah Morrisse, we follow Pea and the other leftovers who devise a plan to get to Food Paradise before the fridge is cleaned out.
An evening where dancing becomes a howling torment and wit is a blunt instrument, where cordiality turns into psychosexual competition, where the line between love and hate is rent asunder into a simmering nightmarish landscape of damaged psyches and battered hearts.
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The setting is a French asylum in 1808; Sade has written a play about the French Revolution and has enlisted his fellow inmates to perform the piece. The resulting play-within-a-play is as provocative as it is shocking.
Four aspiring young novelists sign up for private writing classes with Leonard, an international literary figure. Under his recklessly brilliant and unorthodox instruction, some thrive and others flounder, alliances are made and broken, sex is used as a weapon, and hearts are unmoored.
“Death and the Maiden” by Ariel Dorfman is the story of a young woman whose past may be coming back to haunt her. When a stranger offers to help her husband, his voice triggers memories of a nightmare she must now confront.
Hemingway’s Wife is very special – a lovely, sweet, powerful, and funny play about one of the 20th Century’s most complicated figures.